God bless broken roads
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Her bare feet touch the cool, glossy oak floor. All rights reserved.:ĪS SOON AS the alarm goes off, Amber forces herself to say it.
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Jennifer Dornbush is an accomplished screenwriter and penned the script for the film version of God Bless the Broken Road. "synopsis" may belong to another edition of this title. With her faith, her life, her family, and her heart hanging in the balance, Amber is forced to decide between the broken road she knows so well and trusting that God will provide a new path in this heartwarming and charming novel. But when the unthinkable happens, she has nowhere left to turn and she finally cries out to God for help. And she likes that her mom and Cody are starting to become friends-or maybe something more.Īs Amber struggles to hold it all together, her growing feelings for Cody complicate things. Is he hiding something as he tempts death and destruction on the track? When Cody encourages Bree to join in a derby car race for local youth, she finds a way to channel her grief into something good. Or at least that’s what his manager thinks, as Cody pushes his race car and his luck in every race. But above all, while dealing with her own grief, Amber struggles to help her nine-year-old daughter, Bree.Ĭody Jackson has a death wish. Where, Amber wonders, are the Sunday dinners, the picnics, the bike rides, the time they should be enjoying as a family? Instead, Amber is left with a folded flag and an empty heart.
#God bless broken roads movie#
It is unclear what anything in the movie has to do with Rascal Flatts or the song, except that Amber sings it at the end in her triumphant return to church, after a litany of come-to-Jesus moments: losing her home her daughter running away finding out the story of her husband’s death from his Army pal and a climactic NASCAR race wherein her new boyfriend drives a commemorative car decked out in pink camouflage and eagles.War widow and single mom Amber Hill feels like all hope is lost-but when an impulsive and irresistible race car driver comes into her life, he shows her the way back to her daughter, her faith, and a new love in this sweetly romantic novel.Īmber Hill never imagined she would find herself a war widow and single mom. “God Bless the Broken Road” is a strange Frankenstein’s monster of a film, trying to combine too many ill-fitting story elements while straining to incorporate the title of a popular country song. Everyone shows terrible judgment, except for her friends from church (Robin Givens and Jordin Sparks), who have the good sense to show up with a ziti every now and then and find her a new home.
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Apparently Cody is a bad guy because he crashes a lot - isn’t that what they do in NASCAR? Furthermore, there isn’t a shred of charity shown toward war widow Amber, who has to pawn her engagement ring to make house payments. The entire conflict is all a bit strained - the denizens of the small town seemingly straight from the 1950s are awfully judgmental of the young pair.
#God bless broken roads how to#
He starts with teaching the youth of the local church, including Amber’s young daughter Bree (Makenzie Moss), how to build their own go-karts, while wooing the girl’s grieving mom. Walker), a bad-boy NASCAR driver who rolls into town after a crash forces him to do some community service. But she catches the eye of a handsome stranger, Cody (Andrew W. Two years after his death, with her house on the verge of foreclosure, she struggles to make ends meet while waiting tables at the local diner. Lindsay Pulsipher stars as Amber, a widowed mother who loses her faith and her connection to God when her husband is killed in Afghanistan. Based on the Rascal Flatts song “Bless the Broken Road,” the film combines NASCAR and the war in Afghanistan to craft a story connected to the song by the thinnest of threads. Now there’s “God Bless the Broken Road,” from “God’s Not Dead” director Harold Cronk. Now, there’s the “inspired by a country song” subgenre.įirst, there was the box-office hit “I Can Only Imagine,” based on the MercyMe smash. Mostly, the content has come in the form of true stories, or based on the Bible, medical miracles or visions of Jesus, not to mention the political fictions built on straw-man arguments (the “God’s Not Dead” franchise). The growing faith-based film industry is on a quest for content: Stories that will cross over and connect with audiences beyond the preexisting one.